I am interested in the complexity of human existence. My work explores the capacity of chaos inside the limitation of physical scale. An enormous network of relationships with various level of visual language from a common nucleus is developed in each painting. Visual world has been complex, chaotic, shifting and decentered since I was a young perceiver, living inside an enormous yet crowded traditional Minnan House with seven other families, growing up with an acute sense of dislocation, disorientation, and divided identity, when China was undergoing dramatic modernization. In my current process, polyphonic multiplicity of dense details, allegorical forms, art history quotations, Aristotle elements (drawing, space, color, imagery, marks) are woven into a rigorous, multifaceted structure. Enormous mass of material come and go in the studio, but it is the sensation who gives the work its plot. The world brought into being by both discovery and creation, with the sense of walking the tightrope between visual dynamics and pandemonium.